The Vladimir province has long been glossed by crafts related to wood art processing. Already in XV-XVI in many Russian cities, the production of wooden current and rubber dishes has been extensively developed by various paints and drawings. People ' s fisheries were valued at all Russian and international artisanal fairs.
In the twentieth century, the development of wood-related arts and paintings was different. Some of them have expanded their production, others, because of the outflow of youth into large cities, have declined. In the 1970s, united artisanal singles created the Vladimir Shame factory, where old crafts and scripts are being revived today.
Regrettably, until our days, there have been no production of ancient Russian arts of wood as it was on ancient Vladimir land. The master began to search for his manner of writing on the basis of a thorough study of the white-collar cutting of the vladimir's collars, the old wooden houses, the furious ornaments of the castle. On this basis, a new direction has emerged in the dissertation of wooden dishes, a vladimir's signature. Its predominant colours were the refugee, black, red, green, and the elements of the swamps were the berries and fruit (the cherries, the rag, the wing, the barbaris, the apple, the pear, etc.).
A great feature of the handicrafts record is a few thinness in the technology that makes articles different from any other. The masters are trying to show the beauty of the natural texture of the tree by painting against the back of the painted wood fragments. Using a unique, unique, uniquely in the handicrafts shops of tampon technology, allowing volumes to be released against the background of the drawing. This is the original round-up and bait-based rolling stock, with the inclusion of a coloured line in the commentary.